Wednesday, May 15, 2013

More with Usagi Minagi, TIA-012

Usagi Minagi in Pocha Pocha Princess Pretty Exciting! Usagi (TIA-012)
Tonight we continue to survey the Usagi Minagi video, Pocha Pocha Princess Pretty Exciting! Usagi (November 2006; TIA-012), which I was recently able to view in toto. The penultimate scene in the video has Usagi gyrating atop her male companion. Here are a couple snaps, one showing her boobs at low tide...
...and one at high-tide during the physical stimulation she is providing this gentleman...
The main body of the video concludes with a scene of considerable interest, in which Usagi and her male partner consummate their relationship. The gentleman takes full use of Usagi-chan's big, warm, inviting rear end, both in kneeling position...
and standing.
The conclusion of their sex bout is in traditional missionary position... A brief coda, which we will look at tomorrow, involves the measuring of Usagi's physical charms...
Jûnana-sai, sukisuki-zoku (十七才、好き好き族; Sep. 1972)
In IMDb work today, I added five more 1994 Pink film titles: Chikan densha: Muriyari hiraku!, Higôhô waisetsu: Nozoku, Inran reijô: Yagai gyaku rape, Sukebe ojisan: Uresugita chibusa, and Dosukebe kaseifu: Kahanshin nugui. The most exciting IMDb / Pink news was the discovery that the excellent sites, Pulp International had posted the poster above a couple days ago. The proprietors of the site did not seem to be aware of the significance of this poster, but I sent an e-mail explaining: This is the film Jasper Sharp translates as 17-Year-Old Free Love Tribe (十七才すきすき族 - Jûnana-sai, sukisuki-zoku). It is the September 1972 directorial debut film of Sachi Hamano, whose filmography was one of my first projects at IMDb. Japanese sources have no credits for the film, except for Hamano, so this poster will be a source for expanding the IMDb entry... Hamano is the most prolific female director of Pink films, and likely the most prolific female director in the world. She is also important for us admirers of the larger Asian lady in that a disproportionate number of her film titles have the word "Kyonyû" ("big boobs) in them. Though the earlier Pink "Kyonyû" are often just the usual skinny girls, with a little bit of boobery, Hamano directed the only known film appearance of early BBW idol, Mariko Morikawa: Kyonyû shûdôin (Big Tit Monastery; 1995), which we covered in a post in March during our review of Mariko's career. Though she continues making Pink films to this day, she has moved into the mainstream and made several award-winning mainstream films in the past decade or so...

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