Friday, November 30, 2012

All You Need Is Butt

Today Nakamura Eigeki released its new posters for the next month's programs, so I downloaded, identified and sorted them for the Pink Film projects. That was about it as far as Pink Film activity today. I devoted the rest of my online time today in BBW-ish pursuits. Today I'd like to present the new project of our old hero, Japan's #1 big butt-fetishist, Timio Juvonerup. He has started up a new butt-fetish label called "Dekajiri" (Huge Butt), at Dekajiri.com. We wish him success in this grand endeavor. As you can see from the label's logo above, he has chosen an English-language slogan: "All You Need Is Butt". A noble sentiment, though I would quibble that man does not live on butt alone... This recent prevalence of English at Japanese BBW sites has me wondering whether the language is just a current fad, or if they are consciously reaching out to foreign audiences. From my searches, it certainly seems that Japanese BBW-dom has a strong foreign fanbase...
Timio's first work at this site is titled, appropriately enough Dekajiri dot com 1 (デカ尻ドットコム1; DJ-001). If you like big Asian butts, be sure to click on that title link and check out the sample video at the page-- it is awe-inspiring! I generally prefer still images to videos. Allows me to concentrate better, I suppose. But this video sample makes the most out of motion, making it more interesting than the corresponding stills.
This scene, not very impressive in still form, shows the girl jump-roping, and goes into slo-mo so that we can see the ripples go up her legs & ass. As you can imagine, given my fat-leg fetish, this sent me into Nirvana...
I can't find a cast listing or any other way of identifying who appears in this DVD. Also, all images have the face hidden by mask. Of the two girls I've seen in the clip and stills, I like the one whose pictures I've shown here best. Here she is, above, facing camera, but with the unfortunate hiding of boobs & face which seems to go throughout the DVD. akibacom says it was released November 18th. Images from the second release on this label have just started trickling out. Let's hope the label thrives. Really big butts-- big girls with big, fleshy butts, not skinny ones with the camera zoomed to exaggerate their hips-- are not represented very well in the Japanese AV. Based on the evidence seen so far, this specialist label looks like a winner!

Thursday, November 29, 2012

Latest GAS Debut: Sara Himeno

Bakunyû Sara: Taibô no M-cup debut
Ten new Pink films were accepted at IMDb today, all submitted by yours truly. In BP-related news, the Russ Meyer of Japan, Akira Takatsuki, founder of Japanese big-bust pioneering studio, Cinema Unit GAS has done it again. He proudly presents his latest catch, the 132-cm M-cup, Ms. Sara Himeno (姫乃さら) in her solo debut DVD, Bakunyû Sara: Taibô no M-cup debut (爆乳さら 待望のM-cupデビュー; GAS-264), to come out in December.
Zenkoku bakunyû scout caravan 3: Ôsaka 132 M Tôkyô 115 K/ 106 I
We first saw Sara back in July 2010 when Takatsuki included her in Zenkoku bakunyû scout caravan 3: Ôsaka 132 M Tôkyô 115 K/ 106 I - 全国爆乳スカウトキャラバン3 大阪132M東京115K/106I; GAS-173) as the representative of Osaka. She's seen as the main feature of the front cover to this DVD, above, and on the spine.
Sara Himeno in Zenkoku bakunyû scout caravan 3: Ôsaka 132 M Tôkyô 115 K/ 106 I (GAS-173)
Takatsuki's press release for the new DVD reports that Sara was the model who inspired the most inquiries in that DVD. Her 132(M)-75-115(cm) figure was touted in this DVD as evident even in clothing. The image above shows that was no exaggeration.
Sara Himeno in Bakunyû Sara: Taibô no M-cup debut (GAS-264)
This image from her upcoming DVD shows those attributes unclothed and up in her face...
Sara Himeno in Bakunyû Sara: Taibô no M-cup debut (GAS-264)
...and this view from the new DVD shows she packs quite a wallop from the rear end as well... A video clip in WMV format and MP4 format, as well as more sample images can be found at GAS's page for the DVD. If it has taken Mr. Takatsuki two years to persuade Sara to display her charms in a full-length video, it looks like she will be well worth the effort, and the wait.

Wednesday, November 28, 2012

LUU Brings Art to Life

We reported on the first Debukawa night back on August 18. That February event included a "Miss Fat Woman Contest", the results of which I'm sure we've all been wondering about. Well, the results are in! The June 14 entry of the event blog indicates that that a second Debukawa event was to be held on Halloween, and that the first "Miss Fat Woman Grand Prix" (ミスファットウーマングランプリ) was won by a woman named either "Atchan" or "Rei", and our oft-admired LUU was runner up.

Images of this event were not offered, but this does give me a chance to show off a recent find: Complete albums of several of beautiful LUU's CD-ROMs... All these albums and more are available for purchase from LUU herself at her blog. Several images from these have already been spread around the Web, but I will show a few I think have not been seen so often.
LUU as Cattleya
First, in her first opus, Oppai Maman (おっぱいママン; L001), LUU portrays the character Cattleya from Queen's Blade.
Cattleya
Though, for aesthetic reasons, I've intentionally chosen an image of LUU in a more disrobed state than the cartoon character usually is, here (I think), is an image of the original character for comparison. Note that all-natural LUU is able to compete with the cartoonist's exaggerated rendering of the female form.
LUU as Merfa
Second, from Madame LUU's second release, Perverted Carnival (背徳の謝肉祭 - Haitoku no shanikusai; L002), we see LUU as the character Merfa (or Melfa), again from Queen's Blade.
Merfa / Melfa
Here is the original character for comparison.
LUU as Manyu Chibusa
Fifth-- er, third, from her fifth album, Oppai wa seigi (おっぱいは正義; L005) in costume as the character Manyu Chibusa from Manyuu Hiken-Chou...
LUU as Manyu Chibusa
... and out of costume...
Manyu Chibusa
Here is the character for comparison. Note that though the artist portrays the character as quite solid, LUU nevertheless expands a bit on the artist's conception. Once again, I prefer LUU's rendition...
LUU as Elina
In her eighth album, Matatabi (またたび; L008), LUU returned to Queen's Blade portraying the character Elina, in...
LUU as Elina
...and flopping out of costume.
Elina
A comparison with the original character, above, shows that LUU's figure imposes a much more Wagnerian stateliness than the girlish figure designed by the artist. I prefer LUU's fleshy rendition to the artist's.
LUU as Mellona
And the final catch of this recent LUU treasure trove is from her ninth album, Buyo-pin (ぶよピン; L009), in which she takes another stab at Queen's Blade, portraying the character Mellona.
Mellona
The original Mellona seems to be much more girlish, than our mature, matronly LUU-san.
LUU as Mellona
I guess what I've learned from this little survey of LUU's cosplaying, compared with the original cartoons, is that I like women in the flesh rather than in crayon... After a full day's worth of cosplaying, what's a big, beautiful lady like LUU got to do? Take a shower! Let's all mentally dive right in and enjoy with her!

Tuesday, November 27, 2012

Lovely Symmetries

Today, let us consider symmetry. Two newcomers make the claim of having identical top, mid and lower measurements. It seems like this would make a rather boring, flat and cylindrical shape. Aren't we all fans of the hourglass figure? Even if I, and readers of this blog, may prefer larger numbers than the general population, we still usually like the top & bottom numbers to be larger than the mid one... But enough theory, let's put this hypothesis to a real-world challenge:
First, I present for your examination, 20-year-old J-cup Ringo Hirayama (平野りんご). In her DVD Itsukushimi no kyoku kasei-fu: Ringo 20-sai (慈しみの巨躯家政婦 りんご20歳; KOK-006; due out in December from Mousouzoku), Ringo claims her three measurements are 100cm.
I see some curves there, don't you? Very feminine and lovely curvature, I would say. She has a big belly, which accounts for the claimed three-dimensional symmetry, but still, those boobs stick out a bit, don't they?
See what I mean?
Now let's run the numerical formula through another test, on a grander scale this time. Earlier in the year, buxom Mousouzoku lass, Koko Morita (森田ここ) starred in B120-W120-H120 Tsuyokawa kanojo (B120 W120 H120 ツヨカワ彼女; KOH-009; August 2012). Her magic number is 120cm.
As we see here, the nice, thick, white thighs, legs and butt promised in the DVD cover image flesh out in the video.
Like with Ringo, her big, soft belly accounts for the claimed equality of her measurements. And again, like Ringo, her boobs protrude more than her belly, don't they? Let's pause, observe and meditate on this for a while...
I'm seeing some interesting curves here. Don't those boobs hang out further than her hips? And certainly more than her belly?

Ladies and gentlemen, I think tonight we have proven, with these two lovely assistants that an all-same-number figure can indeed be interesting and attractive.

Monday, November 26, 2012

If You Go Chasing Rabbits

Sasaki
Yokoyama

A new "Deli Health", Puku Puku Shiro Usagi ("White Rabbit") is advertising its Grand Opening in Uguisudani, Tokyo. Both in page design and in product (big, beautiful, bouncy women), it seems to be related to our closely-watched Max-Body. Intriguingly, the site does have English scattered around a bit, such as this welcome: "I'm looking forward to see you!" It would be nice if that meant it is a gaijin-friendly facility. Never having visited one of these establishments, only viewing them through ads, I wouldn't know if they are becoming more open to foreigners or not...
Mori
Mori
My eye was first directed to this site by a blog entry which posted the two pictures of M-cup Mori we see above. Are my eyes deceiving me, I thought, or is that LUU?
Mori
But the photos of Mori at her listing at the site look more like the one we see above. She looks neither like LUU, nor like the Mori listed at the blog. Her mouth looks smaller (LUU's wide, smiling mouth is one of her charming points) and her cheeks chubbier. On the other hand, she is wearing the same dress at both sites, so I don't know...
Ogura
Besides the two lovelies we see at the top of this post (at left, 26-year-old Sasaki, found here; and at right, 25-year-old H-cup Yokoyama, found here), other impressive physiques to be ogled at the site's list of ladies include 23-year-old J-cup Ogura (above), who looks familiar, but I can't place just now. She has a blog, but it doesn't present any clues at first glance...

Sunday, November 25, 2012

R.I.P. Nao Saejima

Saejima Nao: Akume kinenbi (1988)
I've about caught up on the Pink film/IMDb work I wanted to get done before returning here, so let's get things started with a look back at my period of silence. During my month+ off-blog, about 70 of my Pink film submissions were accepted at IMDb. I finished the year of 2003 and started on 1990, from which point I will work forward. Unlike with the pre-1990 project, I am not just submitting entries for Pink films to which I have images, but for complete Pink film releases for each year, as listed at the filmographies at the PG Website. Milestones in my Picasaweb work include the finishing of identifying/labeling posters to 1990, and making a big dent on 1991.

On a sadder note, news from the Pink film world indicates that the second half of this year has seen some major losses. Pink film pioneer and giant, Kôji Wakamatsu died tragically on October 17, after being hit by a taxi in Tokyo. 76 years old, he had just been given an award for Asian Filmmaker of the Year at the Busan International Film Festival in Korea. The intriguing and audacious titles of this Outlaw Master of Japanese Cinema were some of the earliest things to arouse my curiosity in the Pink film back in the '70s. Another Pink film director, one about whom I know less, Futoshi Sakamoto (坂本太) died on June 18. And perhaps most tragically, and nearest to the subject of this blog, the multi-talented Pink actress and AV model, Nao Saejima (冴島奈緒) died on September 29, at the age of 44, after a five-year fight with cancer. She was noted for her busty, yet slim figure in the late '80s, back when a Japanese F-cup was something to gawk at in awe. I'm pretty sure I have some of her photobooks from that era stashed away in my archives... For now, though, let's just take a brief review of this beauty's Pink film career.

At the top of this post we see the poster to Nao's first known starring theatrical film, the Roman Porno, Nao Saejima: Akume kinenbi (冴島奈緒 アクメ記念日 - "Orgasm Memorial") directed by Masahito Segawa and released by Nikkatsu in January 1988, just a few months before their bankruptcy ceased this venerable 17-year series of theatrical softcore pornography.

Saejima Nao: Kankin (1988)
Nao starred in prolific female Pink film director Sachi Hamano's May 1988 release, Saejima Nao: Kankin (冴島奈緒 監禁). Originally released by the now-defunct Million Films, above we see the poster to Shintôhô's 2010 re-release of the film, under the title Misshitsu no bijo: semeru (密室の美女 責める).

Abnormal Excitement: Nao Saejima (1989)
Abnormal Excitement: Nao Saejima (冴島奈緒 異常昂奮 / 冴島奈緒 異常昴奮 - Saejima Nao: Ijô Kôfun) released October 13, 1989 by Nikkatsu's successor, Xces directed by Masahiro Kasai (カサイ雅弘) and scripted by "Mr. Pink"'s prolific wife, Kyôko Godai, was named Best Film at the second Pink Taishô-- the major award of the Pink Film genre.

R.I.P. to this lovely lady, and to the two directors.

Sunday, November 4, 2012

Interface Disaster Episode 3: A New Hope

Airi of Max-Body
Step three in my reluctant entry into the 21st century has begun. I now have modern Internet at home, though I have to share it with other family members, making my posting here still a bit difficult. For now, I will devote my online time to catching up on the Pink film blogs / Picasa albums. This month+ offline at home had the beneficial effect of forcing me to clean up a backlog of images to Pink film posters, mostly older ones ('60s & '70s) that I have not seen on the Internet in good condition.

I had originally planned to post filler entries here at "Hail Boobpedia" for every day I was offline, but, without the ability to capture new images, that quickly became next-to-impossible. It also seems pointless, since I've been doing these disaster updates here. The work I did on those filler entries will be useful for later entries covering the past month of Japanese BBW news in retrospect. As far as my dissatisfaction with the new Blogger interface: I did look around for a new venue, but didn't find any that suited me well. Working on the Pink film blogs has got me at least used to how to deal with the new Interface, though I still don't like it as well as the older one. Anyway, I'll be back to posting regularly here in a week or two. I consider the two Pink film blogs to be the most "important"-- because many of those films are of high quality as low-budget films in general-- and very high quality for the erotic film genre. Besides their historical value, they have little-to-no coverage in English, and poster/still images are not connected with the bare titles/credits listed at IMDb. This "Hail Boobpedia" blog, however, is closest to my heart, the most fun, and, by far, gets the most visits. I'm looking forward to getting back to it! To tide us over in the meantime, let's look at one of the new beauties at ever-reliable Max-Body. Gentle readers, look at the top of this post (if your eyes have ever left it), and feast your eyes on the magnificent Airi! Yes, life is good!