Friday, September 2, 2011

Bon Bon Cherry series set to start

Alright. I'm going to have to start posting these things every day, then go back and expanding, revising, and tweakling here and/or there, until I get bored with them. I've been working on them offline, but now I'm a week behind. I'll wind up never posting if I keep that up. The BP-related images will have to wait for the evening to be uploaded...

Anyway, I spent this morning finishing preparations for the BOMC (Bon Bon Cherry) series. I found screen shots for #1-15. It's hard picking out decent screenshots for the articles, since these videos appear not to be of the highest quality. Each shot shows either the actress' boobs, or her face, and when both are in the shot together, something screws things up-- a face-mask, a really ugly actor, something... It appears to be a "girl next door"- type of series-- the girl next door with enormous, floppy boobs, that is-- so the general plainness of most of the actresses is forgiveable. I'd flip any one of them in a nonce, with relish, of course.

In the afternoon I put together the data for updating the Boin Box series-- that will be a long haul, but a rewarding one as far as Boobpedia goes, since several fairly well-known, prolific actresses appear in it. In fact I think one or two of the DVDs have already been started by other editors during my absence from Boobpedia. These will be more glamorous model-type actresses than the ones I like best-- the chubby gals-- but they are no doubt more popular. I'm not aware of any chubby/BBW actresses who have appeared in that series, so I may put it off for a while... The reason I like JAMS & IZM is the gorgeous BBW actresses. The fact that it is the women who abuse and dominate the men makes it much less unpalatable than the other way around, which used to be the norm. The mysoginistic aspect of many of the best-known Pink and Roman Porno films of the '60s and '70s was never attractive to me in the least. I enjoy sex (cinematic and real) and violence (cinematic only, please) as much as, if not more than, the next guy, but not when the women are being abused. I tolerate it to see beautiful actresses like Naomi Tani (though I have to admit that woman does look stunning in ropes; see for yourself at right.) I contend she would be considered the Marilyn Monroe of Japan, if she hadn't worked in the not-quite-respectable genre of S&M soft-porn. The interesting work that the writers and directors sometimes bring to the Pink film genre is an added bonus. The Toei Pinky Violence-- with bad girls whipping the asses of men-- were more my style. Now show me Erika (seen at left in Ultra Bomber Boobs 152cm!) bouncing around on a 'Porno Pipsqueak' and I'm happy. Just have her on her own, parading around just being her gorgeous herself, and I've found bliss... Why not give her a plot to work with? Hunh? Hey Shintoho, Excess, OP! Where's the BBW Pink Films?! Enough with the skinny gals, throw us guys something we can sink our teeth into!

I watched another East Side Kids opus with the boy after the night's Boobpedia work-- Flying Wild. It is one of those 1941 films clearly anticipating the U.S. entry into the war, which must have seemed inevitable to everyone by then. (Can you imagine things similar to what was going on in the world in the '30s going on today, and the U.S. keeping its nose out of it?...) Spies are smuggling plans out of the country into Mexico... maybe the Kids anticipated war with Mexico? Or, I suppose, the enemy agents picked up the plans in Mexico then delivered them to England, or whomever it was predicted we'd fight. Not as enjoyable as the last night's Kids romp-- probably because Ernest "Sunshine Sammy" Morrison had a smaller role. Gorcey and Jordan were clearly the stars, but they weren't polished enough to carry the film. Don't believe me? Click here and watch it at the Internet Archive.

Seems to me-- I don't know, I'm not an expert on copyright law like those Wikipedians are-- that all the East Side Kid/Bowery Boys movies should be in public domain. After the very early films at Universal, didn't they work only at poverty row Monogram Pictures? Seems like a box-full of their million-and-a-half films would be a gold mine just waiting for Mill Creek to stake a claim. I'll make a deal with you, Mill Creek: You put out the East Side Kid & Bowery Boys films in one of your DVD box collections, and I'll buy one of them. Deal? OK! Hop to it!

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