I've got about 80 more posters more to identify in the pre-1990 Pink film archive, then it's COMPLETE! Whew! Maintaining will be continuous, of course-- I just found half a dozen more posters for it last night-- and, of course, that's only the half-way mark on the entire project. The 1990-to-present archive awaits. Once this big push gets done though, the maintaining will be much easier, and more pleasant. I collected these several thousand poster images when I was contributing film articles to Wikipedia. My way of working was to continuously search for posters, identify them, and to continuously collect information on the films. Once I had built up enough sourcing or evidence of "notability" I would post an article. In other words, I tried to play by the rules. I only submitted articles which either had plenty of literature, or which had won a major award in their field. The bias with which the rules are created and enforced caught up with me though, when my work came to the attention of an editor who proudly wore his pro-censorship bias on his sleeves. He nominated for deletion about half a dozen articles which I had started on award-winning Pink films. And worse, even "pro-porn" editors with whom I had had past disagreements, rather than rally to the defense of good information on valid subjects, used this as an opportunity to settle old scores. They voted to delete even though the films had won awards in the major Pink film award ceremony-- the Pink Taishô. For American subjects, these editors would accept awards as evidence of "notability", but, you know-- why not use the rules to get back at an editor with whom they had past difficulties? Not one of my articles was deleted, or, as far as I know, has yet been deleted, but I saw the writing on the wall. There is no point attempting real work in such an environment. I spent the next year or so simply disrupting and blatantly trolling Wikipedia. The Wiki-cops were too incompetent to get me to stop, naturally. All they have the power to stop is good contribution, which they do continuously. Once they have created a troll out of a good editor, it takes years to get that troll banned. And even that is a laugh. And that, ladies and gentlemen, is how "the sum of human knowledge" works. I blame Jimbo for his lack of leadership, lack of planning, and lack of responsibility.
Anyway. You are no doubt wondering about the illustration to that minor Wiki-rant above. Well let me fill you in. One of the posters I identified in my Picasaweb album today caught my eye. You see that poster above. It advertises the Yûji Ôno-directed Shishi-produced Toei Central-released film
Nyotai shokku: Insha namaroku bideo (
女体ショック 淫写生録ビデオ). It has no IMDb article yet, but soon will. Believe me. The lady in the paragraph above, and on the poster, is the star of that film.
That lovely lady's name is
Naomi Fuji (
藤尚美), whom we see all tied up at the moment, at right. She also used the names Kaori Kitahara (北原香織) and Naomi Okada (岡田尚美). Under whatever name, I remember worshipping Ms. Fuji back in the early '80s, when a set of Asian bazooms of this magnitude was a very rare commodity indeed, and just the ticket for my Asian BBW-craving libido. I don't think I was really aware that the Asian BBW was my particular fetish yet. One of these days I will upload the photo which taught me that little bit of self-knowledge... The photo that so strangely attracted me, and then had me say to myself, "Hmm... I guess I like chubby Asian women..." Anyway. Our Boobpedia article gives Naomi's birthdate as September 8, 1961, though no source is cited. Her pink film debut was in 1982, which puts her possibly a year ahead of the famously busty
Ran Masaki, who never really did much for me for some reason... Possibly because her features are not particularly Asian. Nor did I like the shape of her breasts... Anyway. Ms. Fuji made several Pink films in 1982. Being far fleshier than the norm in those days, she was also a natural for the rope & bondage S&M genre which is so unfortunate for us fans of Japanese erotic entertainment-- especially fans of the more buxom ladies-- but who are not into S&M.
Nevertheless, as this cover to an S&M photobook amply illustrates, even clothed, Naomi-san could look quite enticing in a rope.
Above I reminisce as we look at one of the images of Naomi I remember from the old days. Man, those plump, juicy breasts... I was not very knowledgeable of Pink films at the time, just knowing them as Japanese porn films, but I know now this poster is to the Shishi / Toei Central film,
Pink girl: Kareinaru hentai (
ピンクギャル 華麗なる変態), also directed by Yûji Ôno, and also soon to have an IMDb listing. Trust me. Apparently Naomi worked only for Shishi / Toei Central and Shintôhô, and
Nyotai shokku: Insha namaroku bideo (the poster to which started this investigation of Naomi's career, and is seen a few images above) is her last appearance listed at the Japanese Movie Database. Watch the IMDb entry for increased attention to her career, and maybe some biographical information if I can locate it.
I've got about 80 more posters more to identify in the pre-1990 Pink film archive, then it's COMPLETE! Whew! Maintaining will be continuous, of course-- I just found half a dozen more posters for it last night-- and, of course, that's only the half-way mark on the entire project. The 1990-to-present archive awaits. Once this big push gets done though, the maintaining will be much easier, and more pleasant. I collected these several thousand poster images when I was contributing film articles to Wikipedia. My way of working was to continuously search for posters, identify them, and to continuously collect information on the films. Once I had built up enough sourcing or evidence of "notability" I would post an article. In other words, I tried to play by the rules. I only submitted articles which either had plenty of literature, or which had won a major award in their field. The bias with which the rules are created and enforced caught up with me though, when my work came to the attention of an editor who proudly wore his pro-censorship bias on his sleeves. He nominated for deletion about half a dozen articles which I had started on award-winning Pink films. And worse, even "pro-porn" editors with whom I had had past disagreements, rather than rally to the defense of good information on valid subjects, used this as an opportunity to settle old scores. They voted to delete even though the films had won awards in the major Pink film award ceremony-- the Pink Taishô. For American subjects, these editors would accept awards as evidence of "notability", but, you know-- why not use the rules to get back at an editor with whom they had past difficulties? Not one of my articles was deleted, or, as far as I know, has yet been deleted, but I saw the writing on the wall. There is no point attempting real work in such an environment. I spent the next year or so simply disrupting and blatantly trolling Wikipedia. The Wiki-cops were too incompetent to get me to stop, naturally. All they have the power to stop is good contribution, which they do continuously. Once they have created a troll out of a good editor, it takes years to get that troll banned. And even that is a laugh. And that, ladies and gentlemen, is how "the sum of human knowledge" works. I blame Jimbo for his lack of leadership, lack of planning, and lack of responsibility. 
Anyway. You are no doubt wondering about the illustration to that minor Wiki-rant above. Well let me fill you in. One of the posters I identified in my Picasaweb album today caught my eye. You see that poster above. It advertises the Yûji Ôno-directed Shishi-produced Toei Central-released film Nyotai shokku: Insha namaroku bideo (女体ショック 淫写生録ビデオ). It has no IMDb article yet, but soon will. Believe me. The lady in the paragraph above, and on the poster, is the star of that film. 
That lovely lady's name is Naomi Fuji (藤尚美), whom we see all tied up at the moment, at right. She also used the names Kaori Kitahara (北原香織) and Naomi Okada (岡田尚美). Under whatever name, I remember worshipping Ms. Fuji back in the early '80s, when a set of Asian bazooms of this magnitude was a very rare commodity indeed, and just the ticket for my Asian BBW-craving libido. I don't think I was really aware that the Asian BBW was my particular fetish yet. One of these days I will upload the photo which taught me that little bit of self-knowledge... The photo that so strangely attracted me, and then had me say to myself, "Hmm... I guess I like chubby Asian women..." Anyway. Our Boobpedia article gives Naomi's birthdate as September 8, 1961, though no source is cited. Her pink film debut was in 1982, which puts her possibly a year ahead of the famously busty Ran Masaki, who never really did much for me for some reason... Possibly because her features are not particularly Asian. Nor did I like the shape of her breasts... Anyway. Ms. Fuji made several Pink films in 1982. Being far fleshier than the norm in those days, she was also a natural for the rope & bondage S&M genre which is so unfortunate for us fans of Japanese erotic entertainment-- especially fans of the more buxom ladies-- but who are not into S&M. 
Nevertheless, as this cover to an S&M photobook amply illustrates, even clothed, Naomi-san could look quite enticing in a rope. 
Above I reminisce as we look at one of the images of Naomi I remember from the old days. Man, those plump, juicy breasts... I was not very knowledgeable of Pink films at the time, just knowing them as Japanese porn films, but I know now this poster is to the Shishi / Toei Central film, Pink girl: Kareinaru hentai (ピンクギャル 華麗なる変態), also directed by Yûji Ôno, and also soon to have an IMDb listing. Trust me. Apparently Naomi worked only for Shishi / Toei Central and Shintôhô, and Nyotai shokku: Insha namaroku bideo (the poster to which started this investigation of Naomi's career, and is seen a few images above) is her last appearance listed at the Japanese Movie Database. Watch the IMDb entry for increased attention to her career, and maybe some biographical information if I can locate it.
No comments:
Post a Comment