Showing posts with label Hana Uehara. Show all posts
Showing posts with label Hana Uehara. Show all posts

Tuesday, January 27, 2015

End of the year report / New Year plan

Again I've been putting off posting here. First let's take a look back at the previous year, and then look ahead to what I plan to do in 2015.


All data on Pink films in World Filmography 1967, submitted to IMDb this year

IMDb work in 2014 was been more diverse than the previous two, and that kept my interest going. Besides continuing work on the main, long-term project I started a couple years ago of starting an entry for every Pink film released from 1990-present, I added as much info as I could on every Pink film released in 1967 & 1968, based on entries in Cowie's World Filmography 1967 and World Filmography 1968. I finished 1967, but am only about a quarter of the way through 1968.

Pink Film Award, now at IMDb

IMDb announced they had re-opened submissions for awards ceremonies this year, and this enabled me to start up a long-desired project there. The Pink Film Award page was accepted, and proved to be a lot of work. These pages are still difficult to contribute to, and I haven't yet figured out how to add data on the event itself-- location, date and time of the ceremonies-- which I see in some other award pages. Still it's nice to see the major award of the Pink film world represented at IMDb, even if it's going to take a long time to get it all posted. In December I started adding the Pink films released in 2014-- there were only 38 of them-- and I've almost got them finished now.

Miyabi Hayama's latest: ICD-259, now at IMDb

As planned at the beginning of the year, I took some time off straight Pink film work at IMDb to submit some BBW/busty AVs. I was surprised at how quickly and painlessly these were accepted. Earlier in the year I added entries for the ICD, JAMS, and MAGURO, labels, and in late December I brought them up to date. In the process of adding those DVD, many of our favorite BBW models got their own IMDb entries. When I had them, I linked IMDb to my blog reviews of those videos.

Hana Uehara in GAS-198, both now at IMDb

In November I undertook the largest sub-project of the AV project: The 342 GAS DVDs. This brought me in communication with none other than Akira Takatsuki  himself, and he emailed me release dates on some of the earlier DVDs in the series. In order to fill out their filmographies a little, I also added a few miscellaneous video releases starring busty/BBW icons like Kimiko Matsuzaka and Mariko Morikawa, who already had entries at IMDb due to one or two Pink films they'd appeared in. Though IMDb is pretty stingy about accepting it, I was able to add a little basic biographical data to the actress' entries when I could: Birthplace, height, and links to official and miscellaneous sites. With all the above work, I wound up with the highest ranking of my IMDb career: #48 on the list of top contributors for the year.













Sara Aikawa (L) & LUU (R) new Twitter acquaintances of mine

The biggest new event relevant to the blog would be my discovery, in early October, of the mighty resource that is Twitter. I'd heard about it, but thought it was just for teenaged girls sending each other giggly messages. Little did I realize what a valuable source it is for keeping up on the latest activities of my favorite personnel.


Mika Hoshima (L) & Masaki Amamiya (R) two more of my favorite ladies on Twitter

Surprisingly, the response from these people has been generally very positive and fun. Akira Takatsuki helped me with info on the Cinema Unit GAS releases, Sara Aikawa gave me an explanation of her nickname ("Batty"), and Miyabi Hayama, Mika Hoshima, and Masaki Amamiya have all been fun to chat with, in my broken Japanese...

Among the bad news of the year was the latest in my long-running series of computer disasters, which resulted in the (hopefully) temporary loss of all the data on my 4-terrabyte external hard drive. Videos, stills, screencaps, reviews, research, etc. are all unavailable to me now... I'm still in the process of trying to recover as much as I can before re-formatting it, and then wondering how much I can trust it, or WHAT is trust-worthy in digital formats... The loss of access to this material, which I've collected online for the past two decades, was a major set-back to posting at this blog, and dealt a major blow to my enthusiasm in working with computers at all.

My enthusiasm for this hobby waned considerably in the last couple months of last year. I'm not sure why-- It's not due to any battles with censors, drama-mongers, opinionated idiots, or other bureaucratic bone-headedness, which caused my departures from Wikipedia and Wikia. Maybe it was because of the computer/Internet disasters which strike so regularly, and result in so much lost/repeated work. Also, as I'm getting older, the desire to do something of my own-- rather than cataloguing the work of others-- becomes strong now and then... but it passes. Whether this work of my own will be writing, composing, or something else I've dabbled in in the past, I'm not sure. Maybe I just needed a temporary down-time before diving back into IMDb/Japanese/Korean stuff. I spent those months browsing around on the Internet, reading a lot (Steinbeck, Thomas Hardy, and now Haruki Murakami), watching a lot of movies (westerns, Pink, sci-fi, film noir), listening to a lot (Bach, Russian opera, Khachaturian, Sibelius...) in limbo between major projects.
Yûki Manaka & Tamaki Yasuoka in JUC-206... Coming to IMDb this year?

Anyway, last week I got back on track. It turns out I was just hungry for a new direction. A project I've had in the back of my mind for a long time now has been to start a BBW AV database similar to my two Pink film databases (Pre-1990 Pink Film Archive and Pink Film Archive). I've got both Pink Film archives full and stable enough that I'm just adding things when I come across them now. Every month when the new Pink releases are announced, I identify, translate and upload them within half an hour. My goal for the new BBW AV database will be the same: Upload all the old ones I already know, get a good, solid representation of the Busty/BBW genre throughout in JAV history, then get the system honed so that whenever I come across a new VHS or DVD cover, I can upload it and identifying information, in proper chronological order, within a couple minutes.
Tamaki Yasuoka in SND-25, now at IMDb & in my JAV Archive

Like with the other databases, they would function as informational displays of images on their own (though, unfortunately, they get very little traffic), but they would also serve their IMDb pages by linking to the corresponding Picasaweb image (my Picasaweb Pink film folders do get a lot of traffic). A complete Pink film database project is impossible enough. Attempting a complete AV one would be insane. Instead I'll just focus on the busty/BBW genre (even that will be impossible enough), linking the cover images to the videos/DVDs I've added to IMDb, and creating IMDb listings for the significant ones that aren't already there.

Early Japanese BBW favorite, Yôko Koizumi in FDS-17, both now at IMDb!

To get my feet wet, figure out what would work well, and set up a format, I started on a smaller series: the 62 JAMS SND- DVDs. Once I was able to get adding these DVDs down to a quick and efficient process, I took up a more challenging series, the early BBW VHS "Horny Fat Woman" tapes, FDS-. These were more difficult because they often don't name their models, and the exact release dates aren't known. I worked out some ways of compensating for this. I don't think a series like this-- all unknown/amateurs-- needs to be at IMDb (though unlike Wikipedia, I would not stand in the way of anyone who wanted to do the work to add them), but I did submit the two tapes which had major early BBW stars. This means that the incredible BBW pioneers Yôko Koizumi and Anna Watarai are now listed at IMDb! This has inspired me to spend the year in deep research into BBW/busty JAV, making entries for as many as I can at this archive, and starting entries for most of them at IMDb.

Usagi Minagi (& Tamaki Yasuoka) in KBKD-534 - coming to IMDb this year!

So, in a nutshell, 2015 is going to be The Year of the BBW JAV!: The new database will keep me busy, and I'll be spreading the joy of Japanese BBW-dom by adding the data and linking the images to IMDb. I'll also continue maintaining Pink film blog/IMDb entries at a slower pace than previous years, and posts at this blog will probably continue to be skimpy throughout the year... certainly until I'm able to recover my external hard disk data. With this long-contemplated JAV database started, the only other future project I am thinking about is a Personnel database, giving images and biographical data on Actresses, Directors, and anyone else I can track down who works in the Pink and/or JAV fields... In my silence here, you can follow me at Twitter where I will continue quick tweets on my favorite subjects: JAV, Pink films, cult films, music, my viewing & listening activities, new discoveries, etc. as well as to see me flirt with some of our favorite Japanese BBW models in my poor Japanese.

Sunday, August 10, 2014

GAS August & September, 2014; GAS-328-333

I'm worn out again, after a week of long work hours and taking care of things at home. So tonight, instead of my usual Sunday video review, I'll just ramble and rant a bit-- I haven't ranted about Wikipedia for a long time, so bear with me-- and then I'll do a mid-week update on Cinema Unit GAS, which I missed posting mid-week anyway.
Seishun no etsuraku (1967) cast & crew now listed at IMDb
My IMDb work on the Pink Films of 1999 started producing results this week. I finished gathering all the data, started the translations, and submitted entries for three or four new films. Also I've been continuing to work slowly through the Pink Films of 1967 as listed in the World Filmography 1967, combined with data from their entries at the Japanese Cinema Database, Japanese Movie Database, and Thomas & Yuko Mihara Weisser's Japanese Cinema Encyclopedia: The Sex Films . This is very interesting and satisfying work-- finding links between these ancient, obscure, exotic, erotic films and their personnel, many times for the first time in English, apparently. Sometimes adding full cast and crew and plot points to pages for which IMDb previously had only a bare title. The Pink Film Award page is still in a shambles, and far from finished-- they accept award submissions so slowly. I've come up with my IMDb New Year's Resolution for next year: Reviews and plots. I'll start adding them after the New Year so that I can rack up numbers towards whatever end-of-the-year honors they give for this sort of thing. If I started them now, I'm already at over half a year's disadvantage compared to the pros. I will first attempt to link my DVD / video reviews at this blog from the IMDb pages, and see if that goes through. Then I'll start preparing IMDb-specific versions of my reviews, and "Plot summaries" for the IMDb pages, which I'll start submitting after New Year. One more step in the spreading of knowledge of the wonderful world of Japanese erotic cinema, and BBW videos to a wider audience. It's a tough job, but someone's got to do it!
Icon Naomi Tani's debut film: Special (1967). Not "notable" enough for "the sum of human knowledge"?
Thank God IMDb actually attempts to live up to its goal of covering world cinema thoroughly. They embrace the little-known and the unusual, as an informational project should, as long as it's verified, no matter if anyone dislikes it. Wikipedia, on the other hand, has made a complete mockery of its stated goals-- the uncensored, unbiased "sum of human knowledge". I am happy to see that some of my contributions there are finally being removed, as I knew-- hoped!-- they eventually would be when I left. I actually tried to get my work removed before leaving Wikipedia, but, unfortunately I sourced it too well, and I wasn't as good and persistent a vandal as the "Deletionists" are. Jimbo Wales has lazily and cowardly allowed Wikipedia to become a circus. He could have prevented this if he had simply stated, "We allow X, we don't allow Y. Your job as editors is to provide that content. You, as unpaid volunteers, have no say in our policies. End of discussion." IMDb does this for their mainspace, while providing outlets for users to share personal opinions in userspaces, reviews, discussion boards, etc. Wikipedia, instead, is non-stop discussion and rule-making from people with belligerent opinions on things they know and care absolutely nothing about. These people literally contribute not one word of information to any article, and spend all their time removing content they don't like-- no matter how well-sourced-- after they create the rules which allow for that removal. Actually, destruction is all they are capable of-- and that's probably a clue to the Deletionist psychology: Impotent envy. Once in a while one of them is shamed into attempting to prove he can contribute content. They inevitably write on obscure fan-boyish trivia (English-language pop culture... everybody knows that's "notable"!), crank out original-research plot descriptions and character details, and, if they source this drivel at all, they cite open-sourced Wikis... insultingly bad work that they would immediately delete if they came across it themselves.
Yutaka Ikejima's Hentai fûfu: Torokeru shinshitsu (2013)  not at Wikipedia. Official Reason: "Not Notable", Real Reason: Titties!
Case in point: Chronology of adult videos in Japan. When I started that list, I was told all list items must be "blue linked"-- i.e., they must already have a sourced article at Wikipedia in order to prove "notability". A list article like this provides context to existing articles which categories can't do. Sourcing the items on the list was unnecessary, and in fact not permitted, because it was redundant to the sourcing at the existing articles. Well, here you see some angry, crusading, impotent, Puritanical sicko named "Squeakbox" has has removed all those blue-linked items, under the pretext that they're not sourced at the list-- though they are sourced at the articles, of course. In other words, he removed the major names, and left only the "non-notable" items, which I did source at the list, because they didn't have articles. Intellectually dishonest, bullying coward that Deletionists are, he is now hiding out until the heat has died down from the discussion surrounding his similarly blatantly stupid removals at other adult-themed lists. One of Wikipedia's interminable ANI discussions was started on his behavior. As usual, the only outcome of the discussion was to notify other Deletionist assholes of his unacceptable actions, so that they can come to his defense, and continue his vandalism while he's on the lam. In his temporary absence, fellow "Deletionist" sicko-assholes make sure his vandalism remains in place by tag-team edit-warring, pack of hyenas that they are. Now that his discussion thread is almost dead and archived, he'll return, maybe a little cautious at first, be a good boy for a little while, since people will be watching him, then he'll go into full, rabid, Deletionist-vandal mode again soon enough. This kind of unacceptable behavior goes on for years at Wikipedia, as long as it's removal of content, not contribution. Contribution of content is treated very harshly. Significantly, after three years away from Wikipedia, I recognize the names of every one of the Deletionist assholes, but not one of the people contributing sourcing or content to these articles. This is because everyone who cares about keeping sourced material, and who has some knowledge of the subject is driven off. The "Deletionists" remain, and, while removing valid information, cynically complain that no one is working on these articles.... Why would anyone stick around to play their game, when the Deletionist vandals make the rules? Anyone really interested in researching and writing-- not arguing and creating nonsensical "policy"-- moves on to other projects, like IMDb, of course! Wikipedia is a project welcome only to edit-warring assholes such as these Deletionists. I expect the remaining, sourced items on that list will be removed later, since they are not blue-linked, and therefore "non-notable". After that, eventually, the article itself can be deleted for lacking content. And good riddance, I say! I look forward to the day when none of my work remains standing at that shit-hole of the human intellect. All the research and writing that I did while wasting time at Wikipedia has now been accepted by IMDb-- a source people can cite without first making apologies, as they must when citing Wikipedia.

God, I hate that place.

But let us step away from the Kafkaesque Mad-Hatter land that is Wikipedia, and head back to pleasant reality: It turns out we've got good reason to do an update review on Cinema Unit GAS, since they have gone through two release announcements since last we looked in on them. The first group was released on August 1, and the latter group is scheduled for September 1.
GAS-328
Starting out with the first release of August 1, Bakunyû Haruka: Kaodashi J-cup! (GAS-328) we meet 112cm J-cup Haruka Hamada. This seems to be the first time we have seen Haruka-san at this blog.
Haruka Hamada in GAS-328
Her impressive charms can be seen in motion by downloading the video samples available at the GAS site in either WMV or MP4 format.
GAS-329
Another first-timer to this blog, 108 cm I-cup Yukari Uzuki, stars in Koshi furi ga ero i chijo bakunyû Uzuki Yukari (GAS-329).
She looks... OK... just... OK... too skinny for my tastes. You can have a look at her in motion in WMV or MP4 format. Also, anyone who wants to view this release would be well advised to pay attention to the comments section-- comments in all languages that is-- at JAV Library's listing.
GAS-330
Kyodai chibusa no paizuri: Matsuzaki Nana, semeru! (GAS-330) stars 115 cm K-cup Nana Matsuzaki, whom we've had occasion to visit a few times since her September 2013 debut in GAS-296.
Nana Matsuzaki in GAS-330
A sample of her jailbird antics in her newest DVD can be viewed in WMV or MP4 format.
GAS-331
And now for the September releases. First is Double shinjin bakunyû 3-jikan: Yuka & Kanako: Kirei na hitozuma K-cup, iki makuru shirôto J-cup (GAS-331) featuring not one, but two new girls, both still in the face-hiding stage of their careers.
Yuka Nakaji  in GAS-331
You can happily download video samples of 117 cm K-cup Yuka Nakaji and 116 cm J-cup Kanako... just Kanako... in motion in WMV or MP4 format.
GAS-332
Kô shinchô bakunyû Kimiko: Bust 124-cm K-cup no Amazoness (GAS-332) stars 124 cm K-cup Kimiko Kanô, whom we previously saw in a post on her debut release, GAS-319, and another one on her second appearance, GAS-326.
Kimiko Kanô in GAS-332
The image above, from the fourth chapter on the DVD, shows 174 cm-tall Madam Kimiko in the role of company president, abusing one of her underlings with "Power Sexual Harassment". Normally I'm not especially drawn to the tall girls per se, but I must admit this lady possesses two or three outstanding features I do find quite attractive, one and a half of which we see in the image above. (The other half is hidden by the face of her lucky victim.) Video samples can be downloaded for your edification in WMV or MP4 format.
GAS-333
And the last item on tonight's survey is a retrospective/compilation DVD, Bakunyû koshi furi kijô-i besuto 4-jikan (GAS-333), given the English title "The Best of Big Tits CowGirls 4 Hours".
Hana Uehara in GAS-333
To tell the truth, tonight's DVD offerings don't tempt me very much. Just this last one, providing a reminder of such glorious boobs of the past as Hana Uehara, arouses my interest. Some 37 ladies are represented in this survey, all of whom sport brassieres H-cup or more in volume. These worthies are:

Mona Yûki 124-L           Rin Kajika 107-K          Hana Uehara 120-L
Mikoto Kizaki 113-K         Noa Aikawa 121.5-J         Mitsuki An 110-J
Mei Hayama 110-I          Ayako 117-J             Sara Toritani 100-H
Mikan Hoshino 100-I         Eri Hamasaki 129L         Sumire Shiratori 105-J
Karen 113-K              Jun Minami 120-K          Shizuku Asano 110-J
Nene Toyoda 113-J           Sora Nanami 132-O          Riona Sugita 110-I
Sara Himeno 132-M         Reiko Yumeno 116-K         Miu Yamazaki 110-J
Ami Fukada 105-H          Nayu Satsuki 132-M         Meru 95-J
Rin Kazene 100-J           Yû Sakura 110-J          Mio Sakuragi 110-J
Rosa 120-K               Mina Katase 116-J           Hina Kurosaki 133.5-M
Rino Momoi 102-K          Shiori Tsukada 101-J            Mei Shinoda 110-J
Misuzu Tomizawa 123-L       Kyôko 120-J              Nana Matsuzaki 115-K
Kimiko 124-K

An eminent assemblage indeed. A sampling of these busty beauties in cowgirl mode can be gawked at in either WMV or MP4 format.

So there we have six real, verifiable, nationally-released, internationally-known DVDs that will never be mentioned at "the sum of human knowledge", starring models that will never be listed in the "uncensored", "unbiased", "sum of human knowledge." But they WILL be listed at IMDb, fully approved by paid professionals, so help me!

So, in closing, although it's been said many times, many ways:
FUCK YOU, WIKIPEDIA!!!

Wednesday, June 4, 2014

GAS-325-327

Last night, rather than make this post on time, I finished the first step in my next IMDb BBW JAV project: the Pocha Pocha Princess Pretty series. I first added new info to the existing BP articles-- the main thing was getting the name of the director off the DVD covers. They were not always listed at informational web pages, but they are on the DVD cover images. There seems to be only one director for the entire series. I am giving his name as Alto Joa, but he varies his name a bit. At the beginning of the series he calls himself just "Joa" (ジョア). From #6 to #10 he is "Ultra Joa" (ウルトルジョア), and from #11 on, "Alto Joa" (アルトルジョア - ''lit.'' "Arutoru Joa"). I have no idea what this name is supposed to mean, or if I am translating it correctly. Since the middle version of his name ("Ultra Joa") seems to refer to Ultra Man (ウルトラマン), perhaps the last version of the name should actually be "Altra Joa"?... but that doesn't make much sense... Previously, in IMDb/BP work, I finished the IZM/ICD project-- starting articles on the ladies in the video stubs which I had started last week.
Usagi Minagi in the Pocha Pocha Princess Pretty series: now on IMDb!
The big news at IMDb, Pink film-wise, is that they have finally added the major award ceremony for the genre-- the Pink Film Award. I asked for it to be added in January, and only this week was it added. Like all submissions at IMDb, the process is extremely mysterious, confusing, frustrating and difficult to figure out, and the instructions are absurdly unhelpful... I spent a few hours hunting for an adequate explanation on how to add an award type to the main award page (i.e., Best Film, Best Actor), and never found it. There are pages and pages explaining how to add an award but not one of those pages tells you the page to add it to... they all  say to click "Edit page" at the front page. From there-- apparently, at least some of the pages say so-- you go to an "Awards Master Form" to enter all the info on the new award. But instead, when you click on that, it gives you a drop down menu of awards to add to the page. And it says "No awards have been entered for this event", and instructing you to go back to the main page, click "edit page", and repeat ad infinitum... I finally just submitted a Best Picture for 2013, adding "Best Picture" as a new field to be added in the "Award" field. I will wait to see if I get any decent instructions on how to do it correctly. IMDb communications are notoriously slow and unhelpful though, so I'm not holding out much hope for the near future... While I'm waiting to figure out how to enter awards correctly, the next major BP/IMDb updating project I should embark on is Cinema Unit GAS... and speaking of which, let's look in on Akira Takatsuki's pet project and see what he's up to lately:
GAS-325
118cm-K-cup newcomer Hana stars in the first of GAS' trio of new releases, all due out on July 1. The title: Shinjin: Chikubi ijirare suki no K-cup zutto ijitte, ippai sutte (GAS-325), tells us that Hana-san enjoys having her nipples sucked and played with-- apparently even if she has to do it herself, as the next image shows.
"Hana" in GAS-325
Stills like the one above had me at first thinking that this was MAGURO's famed Masked Kaori, but it turns out that this is just the traditional face-hiding habit of amateur/first-time models. In other scenes, she's not wearing the mask, but she hides her face with her hands.
"Hana" in GAS-325
Besides an impressive bust-- typical of Cinema Unit GAS models-- New Hana also has what advertising promotes as being a "foreigner-style" big butt, which we can admire up above. A video clip showing Hana's front and rear in action can be downloaded in WMV or MP4 format.
GAS-326
Bakunyû chijo Kimiko kaodashi! Kanô Kimiko (GAS-326) stars Kimiko Kanô, whom we met in a post of a couple months ago on the occasion of her own debut in GAS-319. A video clip promoting this sophomore effort can be seen in WMV or MP4 format.
Kimiko Kanô in GAS-326
After her own face-hiding first appearance (she wore large, dark sunglasses), this enticing "jukujo" (MILF) goes bare-faced and takes the traditional next step in the career of the aspiring AV actress: Unleashing her previously-supressed erotic desires by playing the role of the chijo, or "perverted woman".
GAS-327
Next month's last-numbered release is a compilation video, which I usually don't pay much attention to, since they're just re-hashes of previously-released material. This one, however, is the most interesting release of the month. First, it is the second release in conjunction with GAS' tenth anniversary (first celebrated in the career retrospective DVD release, GAS-321), but this is a retrospective not only of GAS' output, but of the entire big-boob genre in Japanese AV over the past 20 years. A FASCINATING subject! Second, just showing GAS' own models would give a fairly wide view of this genre, but Takatsuki has engaged the cooperation of other studios who played a significant role in the JAV big-boob genre: Kimiko Matsuzaka-discoverer Tôru Muranishi's Diamond Video, Mariko Morikawa-debuting VCA, JHV, Atlas 21, and Moodyz. It is titled GAS 10 shûnenkinen sakuhin: Bakunyû no 20-nen, joyû 100-nin 8-jikan (GAS-327), and a video clip in WMV or MP4 format is available.
Diamond Visual's Kimiko Matsuzaka
Though the 20-year mark would be the anniversary of the legendary Mariko Morikawa's debut-- the first JAV BBW star, in my book-- it's good that this will cover Kimiko Matsuzaka also, since she was the real start of the "Big Bust Boom" (kyonyû boom), with her debut in 1989. (Some emphasis is placed here on the Kimiko Matsuzaka-era term "kyonyû" as opposed to "bakunyû" era introduced with Mariko Morikawa's debut in 1994). Having lived through those eras, and followed them from inside and outside Japan, I can speak with a little knowledge myself. I remember opening up a magazine in a Japanese bookstore in 1988 and being hit between the eyes by Kimiko's magnificent bazooms, and realizing that JAV would never be the same again-- and thankfully, Kimiko was just the beginning! She became a star in Japan, appearing in mainstream media and TV shows. The big boob movement was underway, and all the studios searched out bigger boobs to display.
VCA's Mariko Morikawa
The caption above calls Mariko Morikawa Japan's first "bakunyû"-- "Bomber boob" or huge-boob-- model. GAS/Takatsuki no doubt wants to emphasize the term bakunyû, since he is the one who coined the term, which has since become a common word in Japanese boob-related vocabulary. Also, Mariko was literally the first bakunyû girl, since she was the star of the first video in the "bakunyû" series-- The Bomber Tits Vol. 1: Bomber Girl. Though her boobs certainly were the most impressive and promoted aspect of her body, I see her more as the first step towards true BBW acceptance in the JAV. As luck would have it, I was in Japan in November 1994, right at the time that Mariko Morikawa made her debut and shook up the JAV industry with her ultra-voluptuous body. I bought a copy of "D-Cup Japan" at that time, and was as impressed with her as I had been with Kimiko five years before. No actress before Mariko had been so chubby, and yet popular. This was the dawn of the BBW genre in JAV that we so enjoy today.
GAS' own Hana Uehara
In this DVD, one hundred big-boob actresses, including GAS stalwarts Chiharu Mizushima, Maria Tachibana, Shinobu Hosokawa, Yûri Kimitsu, Ellen Jo, Seri Ishiguro, Mitsuki An, YUNA, Kira Namikaze, Mei Kobayashi, Reiko Nakamori, Hana Uehara, and Mona Yûki  all get their due.
Alice Japan's Anna Ohura
Major non-GAS big-boob legends who are covered here include Anna Oura, Shiori Fujitani, Miki Sawaguchi, Ayami Sakurai, Marina Matsushima, Sayuki Kanno, Ai Kurosawa, Shiori Tsukada, Chichi Asada, and Hitomi Tanaka. Not only will this DVD give the fan of Japanese big boobs an interesting historical perspective, it should truly be a feast for the eyes!

Sunday, May 4, 2014

Hana Uehara & Miyabi Hayama together!: GAS-143

The Video

GAS-143
Tonight's video review looks at a DVD starring two of my all-time favorite girls working together and apart: Hana Uehara and Miyabi Hayama. Titled Double bakunyû Hana & Miyabi 117-K X 140-M chôdokyû paizuri sex ("Double Huge Boobs: Hana & Miyabi: 117cm K-cup / 140cm M-cup: Super-Battle Tit-Fucking"), it was directed by GAS' founder, and probably Japan's top big-boob filmmaker: Akira Takatsuki, and released on November 27, 2009. I started an article on it at Boobpedia in December 2009 under the title Double Bomber Boobs: Hana & Miyabi: 117cm K-cup X 140cm M-cup Super Class Tit-Fucking Sex. GAS' page for this video offers a sample video clip. Takatsuki kindly offers an English language page for ordering the video-- which he translates as "The Super Double Big Tits: Hana Uehara & Miyabi Hayama"-- through Paypal. The video is in four main chapters translating to something like: "Double paizuri", "Miyabi Hayama's first real sex", "Double cowgirl & lesbian", and "Hana Uehara POV camera".

The Content (Warning: Spoilers!)

The first chapter, "Double paizuri", starts with a two-minute talk with the girls. They ooh and ah over each others' boobs, feeling and comparing them.
There follows the main action of the chapter: Paizuri. This being a GAS video, the erotic entertainment is all there is, without any frills like story or set-up. More than simply just paizuri, the action consists of stimulation of the guy's body by four huge boobs. Hana starts out rubbing hers in the guy's face, while Miyabi works on the other end with paizuri.
Once he climaxes, another guy comes onto the scene and the girls switch positions.
At about 17 minutes in, we move to the next chapter, titled "Hayama Miyabi hatsu honban", or "Miyabi Hayama's first real sex"-- which seems a deceptive title. I rather suspect she had had real sex before November 2009. The scene starts with Miyabi-san in a cleavage-flaunting shirt receiving a thorough boob-mauling from behind.
She unfurls her wonder twins, giving me a view of one of my favorite sites-- a lady pulling her boobs out.
She then lays on her back for some loud and sloppy boob-sucking. The gentleman gets rather agressive in his boob-play, pinching them by the nipples, yanking them up and dropping them down-- ker-plop!, kneeding his fingers way into them, etc. I'm not very fond of being mean to boobs, but Miyabi-san doesn't seem to mind, and actually seems to enjoy it. If she were crying and moaning, as used to be the norm in JAVs-- or maybe it's just not the norm in these BBW AVs-- this might be unpleasant to watch. As it is, we see a big, beautiful, busty gal getting worked over and having a good time.
Miyabi-san then disrobes some more, giving me a second glimpse of one of my favorite sites-- a lady flopping her boobs out.
After some finger-pie work and fellatio, we get a pretty good cowgirl scene in bed. Miyabi-san is a competent and eager performer, but not extraordinary here.
They next head to the couch where Miyabi performs a nice reverse-cowgirl, and then a serviceable standing doggie-style. The camera takes an angle from below, giving us some nice views of Miyabi-san's rather oddly-shaped boobs bouncing around in splendor. Both girls here, in fact-- Miyabi and Hana-- have their nipples set low on their breasts, giving a down-pointed look that some guys don't like, but I've never minded, probably because it's a trait more of very large boobs. The scene climaxes with good old missionary position, and the inevitable pearl necklace.
Miyabi-san giver the chapter a little coda in with some post-coital vibrator-masturbation in the bathroom. She starts out sitting up on the tub, then switches to laying on her back.

Again Miyabi-san doesn't put on much of a performance here, but just sitting or laying still she's as impressive to behold as a fine sculpture.
The "Double cowgirl & lesbian" chapter starts out at about the fifty-five minute mark, beginning with a repeat of the action of the first chapter-- both girls working on one guy with their boobs, one taking his dick, and the other his face, then switching positions.
This time face-sitting enters the girls' repertoire, with Miyabi and then Hana taking turns sticking their crotches in the guy's face, while the other girl works on the guy's crotch.
While the girls are both fellating him, their mouths touch, inspiring them into a lesbian mood. They begin enjoying each others' tits while neglecting the guy. I'm sure that the guy doesn't mind too much, since watching two such well-endowed ladies play with each others chests is an awe-inspiring sight in itself-- even if you are left out of the action.
Four-boob paizuri fills out the rest of the chapter, giving a few good looks at boobs. A lot of the views are pixeled-out to avoid showing us the guy's dick. But with that much boob flesh, often the dick is so smothered, pixels aren't even needed to hide it.
The last chapter-- "Hana Uehara POV camera"-- starts at about an hour and 43 minutes into the video. Hana's solo chapter, it starts with a brief interview, and then goes on to some boob-licking.
Some straight-forward sex, with some of it-- but not all of it-- in the "hamadori" or POV mode finishes up the video. This is all pretty mundane, not very exciting and rather repetitive. Hana-san, who is usually quite an enthusiastic and happy performer, doesn't really seem to be enjoying herself here.

The Opinion

This being a GAS video, boobs are the primary focus of attention, and in the persons of Hana-san (117cm K-cup) and Miyabi-san (140cm M-cup), there is more than enough boobery to hold the attention of any boob fan.

We have on hand here, for our viewing pleasure, four of the biggest boobs in the Japanese AV industry, working au pair and all together as a quartet. The advertising for the video claims this is Hana Uehara's first lesbian scene-- which is believable-- and Miyabi Hayama's first "homban" or real sex scene, which I find a bit hard to believe, since she had been starring in AVs for at least a year and a half before this one came out.
I've never considered Hana Uehara really a BBW, though I often see her classified as one, but that doesn't distract from her attractiveness to me at all. She's quite chubby all over, and usually, as we see above, has a nice smile and gung-ho personality that is very charming. Though she gives us flashes of her typical smiling personality in this video, Hana-san looks much more serious in the sex scenes here than she usually does.
Miyabi Hayama, of course, is one of Japan's all-time best BBW models, and a joy to behold for any fan of this genre. Miyabi's body is amazing just to look at, but she's not an especially enthusiastic performer. This oddly uninvolved vibe from the two ladies, coupled with the bland aspect of the video-- just routine, repetitive sex scenes, mostly emphasizing the boobs-- make this video less than it could have been.

Final Verdict

This is simply a functional video, aspiring to nothing more than raw sexual entertainment. Beyond that, this is a somewhat lack-luster effort both from the models and from the filmmaker. The models are top-notch, but neither girl seems to be especially into her work here. It gives the viewer nothing more, and nothing less, than a feast for the eyes of fans of huge Asian boobs. I give it a solid seven stars out of ten.