The Video
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| Musuko ni momare saikyô no haha Tomizawa Misuzu: O-cup |
After a few weeks of reviewing older videos, I promised to try to review something more recent. Well, how do you like this for recent: Tonight's video review covers a production released less than two weeks ago-- on February 27, 2014! it stars the newly-debuted 45-year-old MILF lovely, Misuzu Tomizawa, whose bra measurement is given on the DVD cover as 123cm L-cup, though the opening credit in the video says O-cup. (It's possible that "O" in the screen cap above is just a "?", since "O" is sometimes used as a blank character in Japanese.) I covered Misuzu-san's impending debut in
last year's Christmas post. That post, and the second post I dedicated to her (
last year's New Years Eve post) have generated a tremendous amount of traffic for this blog. So, in the spirit of giving the audience (and myself) what they want, let's take a look at one of her performances!
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| SPRD-710 |
This is a two-hour production from Takara Visual, on their Alledin label entitled,
Chô honkaku kan'nô kinshin ero emaki: Musuko ni momare saikyô no haha Tomizawa Misuzu, which translates to something like, "Super-Full-Sized Erotic Incest Picture Roll: Best Son-Rubbing Mother, Misuzu Tomizawa" (SPRD-710). It was directed by Kyûta Tsukumo (九十九究太), and
the official page has a downloadable video sample.
The Content (Warning: Spoilers!)
There is a lot of voice-over narration in this video, dialog, acting, etc. My Japanese is not as good as it used to be, and, besides, I doubt anyone will be watching this for the story. So I mostly watched it with the sound off, and won't be attempting to describe the plot in detail beyond what is apparent from the visuals.
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| Boob-massage by Misuzu's son sets the story in motion |
After a three-minute segment in which lovely, motherly Misuzu's boobs are being massaged by her son, she says, in the voice over, that this is bad. Oh so bad. And she decides to narrate the events leading to this disgraceful state of affairs.
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| Mama rests her load on the table |
The story takes us back a couple weeks earlier, to a domestic scene with Misuzu working around the kitchen, then preparing breakfast for her son whose eyes, through the camera, are fixated on mama's incredible, heavy boobs, which she rests on the table.
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| At work in a public Men's room |
We next see mama at her job, as a cleaning lady of a men's public restroom. Needless to say, her boobs attract a lot of interest from some of the men coming in to take a pee while she's scrubbing the floors.
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| Preparing to bath her son... and more... |
A mother's work is never done, and she also scrubs the family's bathtub, then strips her adult son, and gives him his bath. This ten-minute set-up leads to our first nude scene.
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| ...the more... |
It starts with Misuzu on top of her son while he caresses her boobs, proceeds to her rubbing her boobs all over him, then finishes up after 15 minutes or so with some good old
paizuri. The whole scene finishes up with Misuzu washing her son off in the bathroom while his gaze remains fixated on her boobs.
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| Back at work, with a friendly customer |
Back at work, one of the local pissers works up the courage to accost that incredibly busty cleaning woman, and has his way with her in the restroom. His "way" being, mainly, massaging her boobs while the camera looks up from below, and then having her suck her own boobs, then doing a little boob sucking himself. After massaging her crotch a little, he suddenly stops, then leaves.
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| Customer in hot pursuit |
Back at home, Misuzu-san has her udders laying on the table again as she enjoys a cup of coffee. The pisser barges into her home with the intention of finishing the job he started in the restroom. There is a very funny, yet sexy scene where he chases her around the dinner table, with her boobs bouncing around...
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| Donald Sutherland chases Chesty Morgan in Fellini's Casanova |
It put me in mind of the scene from
Fellini's
Casanova in which
Donald Sutherland, in the title role, chases
Chesty Morgan around a table.
This scene, unfortunately, was cut from the movie. A Fellini reference in a Japanese adult video? Could I be seeing things?
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| The game caught, the customer finishes the job |
Anyway, he catches her, feels her up for quite a while, then escorts her to bed for some cunnilingus, fellatio,
paizuri. Missionary position comes next, with Misuzu-san on her back, and a considerable amount of boob-flopping. Doggy-style and cowgirl are gone through, and this marathon sex scene of over half an hour ends with Misuzu-san on her back again.
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| And he comes back for seconds |
Not satisfied with that, the pisser again acosts mama-san in the hallway of her apartment, plays with her boobs and gets some fellatio while her son spies on the scene from downstairs. This ten-minute quickie ends with some more
paizuri. Misuzu's boobs are so big he is able to satisfy himself in a single boob.
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| Son's concentration is distracted by weighty thoughts |
Later on, the memory of the previous scene running through his mind prevents Misuzu-san's son from studying. When she comes in to check on him, things get out of control. We are treated to another half-hour sex session, this time with the son in charge.
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| The weighty thoughts distract son from his studies |
It goes through pretty much the same steps as the previous long sex scene with the pisser, and therefore winds up giving us a strong taste of déjà vu. Nevertheless, Misuzu-san is just as lovely to look at this time around as she was the first. Thus, we are to understand, the story is brought full-circle back to the first incest scene.
The Opinion
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| A bouncy lady running |
Story-based videos like this one show that the Pink film roots of the AV are still alive. In the early days, AVs were just half-hour Pink films. All story, with only 2 or three brief scenes of nudity. The AV has--rightly, I think-- evolved into its own entity since then. In the pure AV there is no story, and nudity and sex is all. Even these AVs often have a recognizable structure, such as the interview, the measuring of the girl, then going through a routine of sex techniques. But AVs such as the one under consideration tonight show that there are still some being made in which a little more thought and planning goes into the production
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| Misuzu's main attraction |
The basic story does the job that I like-- gives some context to the sexual goings-on. It is pretty-well filmed. There are more faceless close-ups on boobs than I generally care for, but it isn't obsessive enough to become annoying. Misuzu is a bit of a special case, since she isn't one of the younger, pretty models we want to see complete. Her homey, homely face is good to get a glance of once in a while, but it's those boobs that we really want to see, and director Tsukumo gives us plenty of them.
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| Misuzu's boob-flopping is a joy to behold |
As far as points of interests go, Misuzu is all-boob. Her butt isn't much to brag about, and she's got relatively thin, shapeless legs. Her face is rather homely, though in a good way-- she looks like a lower middle-class mother, which is perfect for the role she plays in this video. She is an adequate, but not extraordinary performer. It's fun to watch her boobs flop around when she's on her back.
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| Adequate, but not spectacular boob-bouncing |
And she can bounce pretty good on top too, but she's not the boob-bouncer
par excellence that
Tamaki Yasuoka is. I would imagine she could make a good career playing this kind of role-- the hard-working, self-sacrificing mother type, who also has incredible boobs-- since it ought to be a reasonably popular niche genre in the AV market.
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| One of the many scenes of boob massage |
One other minor complaint: Scenes of boob-massage are fine, but there is an
awful lot of boob massage here. It's often shot from below, in the same angle, with Mizusu-san's face not visible, and it does get to be repititious.
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| The chase is on! |
Repititious is definitely the word for the two long sex scenes, which are basically the same. He does a fine job otherwise, so it seems like Tsukumo could have come up with some gimmick to differentiate them a bit-- give us a little variety. The Fellini-esque chase around the table is the kind of quirky little touch I enjoy, but it was all too brief, and just an isolated instance of real creativity beyond the usual sexual techniques.
Final Verdict
Model:
8 out of 10. High. Not Highest, but high. Misuzu has only two real points of interest: Her boobs. But those boobs alone are enough to give Misuzu-san a major career. These are world-class boobs. Not just huge, they are very beautiful, well-shaped and unflawed by aging, stretching, veins or other ailments to which boobs are prone. Her acting is so-so, but her motherly atmosphere is very attractive.
Video:
8 out of 10. High. Director Kyûta Tsukumo provides very professional directing, intercutting, a decent story-line (by AV standards). More importantly, he does a good job of keeping the camera focused on Misuzu-san. He's slightly obsessive on her boobs, but then so are we.
